Pledges are collected at the beginning of the following month, but you may start submitting your work immediately. Once I catch the submission, I'll add it to this backlog spreadsheet. The orange button above will take you to the reddit thread for this lesson, you can post a link to your work there and I'll be notified. The minimum pledge for this lesson is $5.00/month. The work must be done in the tools recommended in the lesson.You may only move onto the next lesson once the previous has been marked complete.All work for the lesson must be completed - that means all exercises in the lesson, not just those in a given section.You must complete the lessons in order, in their entirety, starting from lesson 1.My requirements are more strict than the free community critiques: If you are interested in receiving extra help, I critique the work of those who support Drawabox on Patreon.Īll of these private critiques are done through reddit, in specific threads where students post their work as a comment, including a link to their work (often hosted on Imgur, though most image hosts are okay). I believe that one's work is flavoured by their life's experiences, and discovering the roots from which other artists hail can help give one perspective on their own beginnings, and perhaps their eventual destination as well. The reason this book is close to my heart is because of its introduction, where Brom goes explains in detail just how he went from being an army brat to one of the most highly respected dark fantasy artists in the world today. That said, if I recommended art books just for the beautiful images contained therein, my list of recommendations would be miles long. Here we're getting into the subjective - Gerald Brom is one of my favourite artists (and a pretty fantastic novelist!). If you're interested, here is a full list. It's also more than that - it's a hand-picked recommendation of something I've used myself. Most of the links here are part of Amazon's affiliate program (unless otherwise stated), which helps support this website. The recommendation below is an advertisement. Otherwise, draw it using the ghosting method - plan it out, take your time, and execute it with confidence. If it isn't going to be contributing much, or if that task can be done better with a different mark (or is already being accomplished by another), don't draw it. So before you draw a contour line as part of a construction - or really, before you draw any line - think about what it is meant to accomplish as part of your drawing. When using them in actual drawings, I frequently see students draw far too many without any real consideration of what each individual one is meant to accomplish. In this exercise it's not really an issue because we're simply practicing their use. One important thing to keep in mind however is that you don't want to get in the habit of simply dropping a bunch of contour lines on something for no reason. They'll also help us to reinforce the illusion that they're solid and three dimensional. Contour lines themselves are something we're going to use a great deal throughout our later lessons, as it'll help us to better understand how these forms that we're drawing exist in 3D space, and how they relate to one another.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |